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Horizonless

by Loss

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Eric Peters
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Eric Peters This release has surprised me as my favorite of the year so far. I am not a huge funeral doom fan, but this is absolutely crushing. Favorite track: The Joy Of All Who Sorrow.
Sib Mackern
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Sib Mackern This album exemplifies everything i love about doom metal; agonisingly slow, crunching riffs and heart-wrenching vocals which make me want to scream along with the music. It's a bit early to say but this is probably my album of the year. Favorite track: The Joy Of All Who Sorrow.
Joseph Mikhail
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Joseph Mikhail Utterly captivating in its anguish and distress. Horizonless rips your heart out with razor sharp performances, particularly on the vocal front, then sows you back together empty and lifeless. Compositionally masterful, this is one release not to be missed. Favorite track: The Joy Of All Who Sorrow.
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  • Compact Disc (CD) + Digital Album

    Regular jewel case CD.

    Includes unlimited streaming of Horizonless via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

Six doomed years in creation since their debut LP “Despond”, Nashville, Tennessee melancholic death/funeral doom metal band LOSS have completed work on their new LP “Horizonless”, one of the most anticipated death/doom metal releases of the year set for release on May 19th on CD/2xLP/Digital.

Traveling further into the void and beyond the realms of hopelessness and despondency “Horizonless” is a journey destitute of all hope and redemption, one where heartbreak, total death and never ending despair triumphs.

Produced and engineered by Billy Anderson in the band’s hometown of Music City itself, resulting in LOSS’ most majestic sounding work to date, “Horizonless” forges the LOSS’ sound tapestry into a realm more immense and dynamic; heavier, darker, more melancholic, and sorrowful. Where “Despond” laid down that foundation that gave LOSS the reputation as the saddest and bleakest band in the death/doom metal scene, “Horizonless” forges that funeral march onwards even moreso towards ruin, decay, and utter oblivion.

credits

released May 19, 2017

Produced, engineered, and mixed by Billy Anderson
Mastered by Brad Boatright at Audiosiege
Artwork by Adam Burke
Guest vocals on "When Death Is All" by Wrest, Stevie Floyd, and Billy Anderson

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